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5101 College Blvd
Bay# 5315
Farmington N.M. 87402-4709
(970)749-6707
Made in New Mexico
Mission
Bisagra, the Spanish word for “hinge”, grew out of a vision to open a door for Diné artists and provide a pathway for them to showcase their work in larger, mainstream fashion markets. Bisagra’s founder, Judy Campbell Clancy, began working with Mabel Canuto – a talented Diné seamstress—-in 1978 to sew a fashion line of cowboy shirts. It was troubling to Campbell Clancy how a people so talented and richly steeped in weaving heritage could experience a 67% unemployment rate, one of the highest rates in the country. Her work with Canuto became an effort to combat systematic racism and poverty by creating job opportunities within the Dine communities for weavers and other artists.
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This photo of Campbell Clancy and Canuto and her daughter, Belinda Gallegos , along with a whole team of weavers and artists who Canuto trained, was taken in 1982 right at the time that Campbell Clancy established the clothing line “Dineh” in Halchita, Utah. “Dineh” was the first attempt to create sustainable jobs within the “cut and sew” industry while highlighting the incredible talent of the Dine' people.
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Bisagra, created in 2022, is Campbell Clancy’s most recent project to continue her mission. Bisagra’s Indigenous designers, stylists, marketing team, and labor force creates a contemporary clothing line that is authentically Native American inspired, adding a marketable couture twist. Peter Ray James's "spirit animals'' are the inspiration for this new collection. Bisagra will contract work from other small ready-to-wear houses that need production assistance. Its headquarters in Farmington, New Mexico at an incubator at San Juan College Business Center, will employ a proven “cut and sew” labor force of talented Diné people.
*The Navajo Indigenous People of the Southwest United States
Our Executive Team
Peter Ray James is a 1984 honors graduate of the Institute of American Indian Arts of Santa Fe, New Mexico. He has also attended the Parsons School of Design in New York City Peter Ray James introduced his art to the competitive Indian Art world in the spring of 1988. Since then he has sold a little over 1,200 masks and goo canvases. His art has been on album covers, prominent art show posters, and numerous newspaper and magazine covers.
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His celebrity collectors include Ahmad and Phylicia Rashad, Ted Danson, John Bon Jovi , and Wynonna Judd. "I am known among my Navajo people as Nahat'a Yilth Vil Wood one who delivers the message." It is my Navajo name that braids many generations of prayers, symbolism, tradition, honor, knowledge, and love. I truly believe my destiny is to be a storyteller through my artist endeavors. I am always honored and respectful to represent my family name in my homeland and abroad".
James, Peter Ray (toh-atin.com)
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Sally Beers, an expert in design and patternmaking, is a consultant and technical advisor for Bisagra. She has over 40 years of experience working with industry giants such as Gap Inc. and Eileen Fisher as well as small apparel companies like Sierra Peaks and Homefrocks. In addition to design, she leads the team to train and direct new patternmakers within the company. Skilled in all aspects of import, domestic, knit, and woven production, Beers is excited to bring her expertise to the Bisagra team.
Belinda Gallegos is a member of the Dine people; She first met Judy Campbell Clancy in 1982 when her mother, Mabel Canuto, began collaborating with Campbell Clancy’s brand “Dineh”. In addition to sewing, she worked as a store manager for FedEx. Now, she joins the Bisagra team as the Assistant Manager. Belinda is the 'problem solver "of the Bisagra team. Her brilliant personality and patience keeps Bisagra motivated every day.
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Judy Campbell Clancy is a stylist, consultant, and social justice advocate based in Durango, Colorado.. Her impulse to start Bisagra came from her experience working with talented weavers, seamstresses, and other Dine artists for over 40 years. In 1982, she started DINEH, a clothing company inspired by Native American design and fashion. Through her partnerships with Utah Navajo Industries and the Navajo Nation's government under Chairman Peterson Zah's Women's office. In 1982 she established, managed production, and assisted stylists in two sewing factories (located in Halchita, Utah and Fort Defiance, Arizona).
She also owned and operated a small clothing boutique, Smelters Coalroom, in Durango, Colorado for 30 years, and has worked as a manager and consultant to larger fashion designers such as Sara Campbell Ltd. and recently with Gabriela Hearst who brought her first Navajo Weaving onto the New York fashion runway in her Spring/Summer collection in 2022. Her mission with Bisagra is to help combat poverty and low unemployment on the Navajo Nation and Farmington, New Mexico, by creating meaningful job opportunities and highlighting talented weavers and seamstresses. Her goal is to provide a platform where Indigenous artists are empowered to create and influence the mainstream fashion industry with their unique voices and talents.
Judy, former partner of two small sewing factories in the Navajo Nation, reached out to Gabriella Hearst seeking opportunities for talented weavers due to the high unemployment rate. This led to a collaboration with Navajo weaver TahNibaa Naataanii, who, alongside her mother and daughter, joined forces with Gabriella Hearst. Judy also connected them with photographer Krystal Curley for the collection. TahNibaa, a 5th generation Navajo weaver and sheepherder, embodies the traditional practices of wool preparation, maintaining ancestral weaving protocols.
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Courtney L. Martin is a queer female figurative artist and designer working primarily in Minneapolis. She uses traditional media to experiment with visual situations involving enigmatic characters with their own unique identity and presence. Martin uses numerous references ranging from pop culture to historical events to invite viewers into examining their own preconceived, psychological projections of identity performance, cultural history, and gender roles. Martin has a BFA in Painting from the Minneapolis College of Art and Design and in 2007 received an Artist Initiative Grant from the Minnesota State Arts Board and the National Endowment for The Arts. She has exhibited internationally from London to Italy and her work resides in private collections all over the world.
Heather Good, fabric manager, has an extensive background in the fashion industry with a specialization in textiles. She graduated magna cum laude from FIDM and FIT with degrees in Product Development and International Trade & Marketing. She began her career in New York City where she held various roles in product development and production. In 2021 she relocated to the southwest where she has been able to continue her career in the industry both locally and remote, serving clients across the U.S.
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Jayme Yancy specializes in creating websites that are visually appealing, user-friendly, and inclusive. Her keen eye for design and functionality ensures that her clients' online platforms are not only attractive but also highly effective in engaging their target audiences.
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In addition to website consulting, Jayme excels in social media management. She crafts comprehensive social media strategies that help businesses build strong, engaging online presences. Her work in this area helps clients connect with their audiences more effectively, fostering community and driving growth.
Jayme's passion extends beyond her professional work; she is deeply committed to empowering the next generation of entrepreneurs. She leads a mentorship group for young entrepreneurs, providing guidance, resources, and support. Through this initiative, she helps aspiring business owners navigate the complexities of entrepreneurship and achieve their goals.
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The MMIW Red Hand
A red hand over the mouth has become the symbol of a growing movement, the MMIW movement. It stands for all the missing sisters whose voices are not heard. It stands for the silence of the media and law enforcement in the midst of this crisis. It stands for the oppression and subjugation of Native women who are now rising up to say #NoMoreStolenSisters. -NativeHope.org